Rates negotiable.
Camera based in Baltimore, Maryland.
Contact meagan (at) ladywhoproductions.com for more information or to check availability.
RENT A RED
RED SCARLETT-W KIT
Gear List
1) RED SCARLET-W DRAGON 5K
2) MINI-MAG Side SSD
3) 480GB RED MINI-MAG Card (HIGH SPEED VERSION)
4) 1 x REDMINIMAG MINI READER
5) BRAND NEW PL MOUNT (allows you to use PL lenses )
6) BRAND NEW CANON MOUNT (allows you to use Canon Lenses!!)
7) RED DSMC2 TOUCH 5″ LCD
8) LEMO ADAPTOR, ALLOWS YOU TO CONNECT THE TOUCH LCD WITH A CABLE AND MOUNT IT ON A CAGE
9) RED REDBOMB EVF (RED BRAND VIEWFINDER)
10) BRAND NEW RED DSMC2 UNIVERSAL TOP HANDLE
11) BRAND NEW Pelican Case (Water tight, Air tight, pressurized, Shock proof0
12) RED DSMC2 PACKAGE CASE
13) WC VLOCK
14) RED UNIVERSAL TOP HANDLE
15) CABLES
16) OLPF
17) NEW INDIEPRO VMOUNT BATTERY
18) SECOND NEW INDIEPRO VMOUNT BATTERY
19) VMOUNT CHARGER
TECH SPECS
SCARLET-W 5K
| SENSOR TYPE | RED DRAGON 13.8 MP Super 35mm CMOS |
|---|---|
| EFFECTIVE PIXELS | 5120 x 2700 |
| SENSOR SIZE | 25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| MAX DATA RATES | Up to 170 MB/s using RED MINI-MAG |
| MAX FRAME RATES1 | 50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
4:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps 7:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps 3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 6:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps |
| REDCODE RAW ACQUISITION FORMATS2 |
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS3 | DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
| TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB5 |
5K Full Format (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes 5K Full Format (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes 4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes |
| CONSTRUCTION | Aluminum Alloy |
| WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | Supports 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
| REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
| VIDEO EDITING SOFTWARE COMPATIBILITY4 |
Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |